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Kate French-Morris

Kate French-Morris
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Kate is a writer from London. She likes running, sour beer, loud guitars, and euphoric-melancholic pop. If she was a song right now she’d be Jenny by The Mountain Goats.
Emmy The Great April review

Emmy The Great – ‘April /月音’ review: a tender album about place and purpose

“By certain scales, a life goes by so very fast/ Some days go easy, some will wear...
Laura Jane Grace

Laura Jane Grace – ‘Stay Alive’ review

Two years ago, Laura Jane Grace sang about how much she hated her home city of Chicago....
Deftones Ohms

Deftones – ‘Ohms’ review: ferocious after thirty years

To date Deftones are filed under at least seventeen different musical genres. So for the uninitiated, their highly distilled ninth record...
Clipping

45s of the week: Sophie Jamieson, Travis Scott, Kevin Morby and more!

Sophie Jamieson – 'Release' https://youtu.be/ayyrV7a_Z-Q Moving backwards at speed...
Bright Eyes

Bright Eyes – ‘Down In The Weeds, Where The World Once Was’ review

It’s been a while since a new Bright Eyes record, and the contemplative weight...
The Lemon Twigs

The Lemon Twigs: “John Prine was a huge influence. His music is beautiful”

You’d be forgiven for thinking The Lemon Twigs had landed straight from the seventies, emerging suited and booted from a glittery...
Ashnikko

Ashnikko: “You get the best songs on the brink of insanity”

Ashnikko doesn’t just subvert feminine stereotypes: she flips them, kicks them to the ground, and dances on them in glass platform boots...
Becca Mancari The Greatest Part

Becca Mancari – ‘The Greatest Part’ review: an album that dances through life’s tough...

When you truly let your guard down, you risk a flood of emotive material, which could be why...

Denai Moore – ‘Modern Dread’ review: an unpredictable and thrilling listen

Denai Moore occupies a dark, stately throne on the cover of her third album, ‘Modern Dread’. The tendrils...