Sophie Walker
FLETCHER: “If you hurt me, I’m going to write about it. That’s just how...
If there is one thing FLETCHER has learned, it’s that nothing is black and white – that’s why her latest EP, ‘THE S(EX) TAPES’...
The best band merch face masks
The next time you find yourself awake at an ungodly hour, fingers frantically refreshing feeds, poised to snatch at a link to your ride-or-die’s...
Meet otta: the BRIT-school alumni making jazz-flecked experimental pop
otta’s music is like a mirror: she reflects those around her; she reflects her surroundings. Since the beginning, the British-Finnish newcomer had dared to...
100 gecs – ‘100 gecs and the Tree of Clues’ review: remixing the bizarre...
100 gecs have invited their friends round, given them an arsenal of power tools – everything from screamo, glitchcore and bubble-gum pop – doused...
Francis of Delirium – ‘All Change’ EP review
Francis of Delirium’s debut EP ‘All Change’ delves deep within. 18-year-old songwriter Jana Bahrich, being thirty years junior to her collaborator Chris Hewett, have...
Mealtime – ‘Aperitif’ EP: a little sip of things to come from one of...
If you need a shot of hedonism, then knock back Mealtime’s debut EP, ‘Aperitif’. The Manchester six-piece are club rats, with a sound which...
Braids – ‘Shadow Offerings’ review: progression and introspection from the Montreal trio
Poetically translated to “golden joinery”, Kintsugi is the Japanese art of fixing broken pottery. The result is a second life, of beautiful seams of...
100 gecs | d03s n0T c0mPut3
How can a sound blur the lines between an assault on the ears and our guiltiest pleasure? By daring to adopt music’s most shunned...
Awaiting ‘Technical Difficulties’: Brockhampton’s surprise tracks have us psyched for their new era
The heat of the summer just on the horizon is a time of almost religious importance for BROCKHAMPTON. The Texas hip-hop collective were born...